The Company OLX was established back in 2006 now they provide their services in more than ninety six nations and in forty international languages. With the help of E-Commerce websites like OLX you can now get everything at your doorsteps if you have an access to the internet, and also sell your used things. OLX India is a free online classifieds platform currently operating in India. OLX India gives you options to register yourself with them and start selling and buying a large range of products starting from Cars, Mobiles, Household appliances, computers, furniture and also the services you provide.

These are the best features of OLX

• Cross Platform Smartphone Apps Iphone/Android apps
• Simple layout and easy to navigate trough the website
• Customisable ads using images and video clips
• Ability to manage your selling and buying community activity in “My OLX” section.
• Ability to access the website in your local language.
• Customised site for most metro cities.
• Mobile friendly website
• Usability of the website design is very good and responsive in fact have kept it simple.

OLX has its offices located in New York, Beijing, Sao Paolo, Buenos Aires, Mumbai and Moscow. For Indian consumers almost every city a dedicated website. Suppose if you reside in Mumbai you can directly open the website by going mumbai.olx.in.This service is 100% free and you display your ads at no cost.

Every big company invests in advertisements and You may have noticed OLX Tv advertisement campaign. All these television commercials showcase people involved in all day to day activities explaining the importance of advertising on the worlds biggest classified platform and the simplicity of the work. Like all other Indian TV ads OLX India’s TV commercial dones not stay back in adding that extra sense of humor to the tv ad, with the tagline ‘Sab Kuch Bikta Hai’ which means everything can be sold here. The ads are really attractive. OLX india is one of the best platform to advertise your product and set your market. If you havent seen the TV commercials yet you can catch them above.

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Speaking at the studio’s offices in Santa Monica on Monday, creative director and writer Neil Druckmann told Eurogamer his team wanted to “raise the bar” in order to make other game developers realise: “Okay, I really need to learn the craft of storytelling, I really need to involve my actors in this in order to get realistic performances and realistic actors. That’s what we want to do.”

He also argued that reviewers were too quick to praise average storytelling, which could hold back the medium’s development.

“We try so hard at Naughty Dog to push things,” he said. “And then games come out that are fun and exciting and get visceral things right, but to read in reviews that they have an amazing story is disheartening to us because we work so hard at it.

“As critics we need to raise the bar, otherwise no-one’s going to change. We’re going to keep pushing ourselves, and kill ourselves to make this story happen – but hope that by doing it, the rest of the industry is going to take notice and try to do the same thing.”

Elaborating on where other games went wrong, Druckmann, previously lead designer and co-writer on Uncharted 2, told Eurogamer: “We mistake quantity for quality. We don’t focus on characters, we focus on monsters or [the] gruesome.”

So what is The Last of Us about? “This is going to sound corny, and it might not appeal to gamers, but I would say it’s a love story,” said Druckmann. “It’s not a romantic love story, it’s a love story about a father-daughter-like relationship.

“We approached this genre because we felt no-one is getting to the heart of it. It tells you something about the human condition – that’s what you want to do as a storyteller.

“We’re not saying every game needs a strong, compelling and dramatic story, but if you are going to make a narrative-based game then you better learn the craft.”

Game director Bruce Straley, who held the same role on Uncharted 2, added: “It’s not just a zombie game. It’s going to be a completely amazing experience that no player has experienced for this genre, the characters, the development, everything.”

Neither Sony nor Naughty Dog has yet committed to a release date for the game.

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Call Of Duty Tip: Don’t Toss A Grenade Into The Chimney Of The House You’re Raiding
Players of Call of Duty: Black Ops, be careful where you toss your grenades. The consequences can be… well, watch this video, which is popular on YouTube today.

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This is like some kind of stunt porn from The Fast and the Furious, but it’s still impressive to watch a guy get past a cop car and a SWAT roadblock, on a bridge entrance, without a scratch.

I might get the alignment checked after a drive like this, but damn. Fine work. Somewhere an action-movie screenwriter is writing a note to himself.

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RE-Entry
39 Robbie Williams – Candy
12 Mumford & Sons – I Will Wait
09 Ben Howard – Only Love

NEW
38 Tyler James Feat Kano – Worry About You (Explicit Edit)
36 The Script – If You Could See Me Now (Explicit Edit)
23 Olly Murs – Army Of Two
01 One Direction – One Way Or Another (Teenage Kicks)

The Official UK Top 40 Singles Chart 24-02-2013

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Get it from the official site.

Why it’s top of the list: The Lord of the Rings Online has always been an impressive MMO, complete with interesting quests, beautiful visuals and a sense of Tolkenian atmosphere that few other fantasy games have managed to conjure up. And now it’s operating on a micro-transaction basis, making it essentially free-to-play until you want to dip your toes into more of the content.

It’s at around level 20 when LotRO starts to become a little more skimpy with what it gives away for free, and that might irritate players who’ve really got stuck into the game by that point. But it’s a sensible business decision – one that those behind the game have confirmed has been extremely fruitful.

And until then, you’re getting hour upon hour of one of the best MMOs on the market, in a way that feels like the game just can’t resist giving you yet another freebie treat.

of free items. Oh look, a whistle that gives me a free mount for a day, and an experience scroll, And what’s this? A strange letter that starts a special quest when read. These gifts, along with Deeds, and the hundreds of quests already in the game, all feed into the sense of constant incremental success that papers over Lord of the Rings Online’s lack of innovation. It may be formulaic, but it’s one hell of an addictive formula.”

And that’s that, then. Do you agree? Disagree? Of course you disagree: it’s a list feature. Pipe up in the comments below, and tell us what you think are the best free PC games available.

2. Spelunky

Get it from Spelunky World.

Spelunky

Why it makes the list: On the surface, it looks like a simple platformer. You’re an explorer, delving deep into a network of caves, trying to avoid the scheming enemies and deadly traps that reside within. So far, so standard – even if its levels are procedurally generated each time you start the game.

But it’s only when you start to push at the outer limits of what you think Spelunky can do that you realise quite how remarkable this game is. Derek Yu has created a game that encourages you to be cheeky, and rewards you for breaking the rules every so often. It’s also unfathomably tight as a platformer, and while it’s brutally difficult, it’s a challenge you quickly learn to work with, rather than resent.

The environments change as you plough on through, and there are plenty of secrets to be found. I still haven’t completed the bloody thing after two years, as there’s no save feature and I’m simply not good enough, but it’s still one of my favourite games in the world, free or otherwise.

3. Quake Live

Sign up on the official website.

Quake Live

Why it makes the list: Here at PC Gamer we’ll always big up Id Software’s seminal online shooter Quake III Arena in any way we can. And that’s especially true when you can play it for absolutely no coins at all.

Arena is certainly ageing now, and has probably been bettered in its field overall. But to this day, no game has managed to match its ludicrous tempo, its sheer sense of kinetic energy, and its masterful map design.

Quake Live is Quake III in a browser. It runs just as smoothly, looks just as good, and is just as much of a tremendous riot as you remember from all those years ago. Essential playing if you have an internet connection and a sensible taste in multiplayer games.

4. Gravity Bone

Grab it from Blendo’s website.

Gravity Bone

Why it makes the list: It’s best to know as little as possible about Gravity Bone before you play it, otherwise you’ll ruin the precise reason why it’s so exceptional.

Know that it’s by Brendon Chung, a.k.a. Blendo Games, the guy who went on to create the likes of Flotilla and Atom Zombie Smasher. Know it uses the Quake II engine to create a sort of abstract cartoon world of spies and suave parties. Know it’s brilliant.

Don’t know what you’re asked to do in it. Don’t know anything about the story. Don’t know how it ends, or which rules it breaks in the process. Do play it, immediately.

5. Neptune’s Pride

Get it on the official website.

Neptune’s Pride

Why it makes the list: This huge 4X strategy game is a little out of the ordinary. Instead of joining your friends for play sessions at the same time, attempting to take over the galaxy in one complete burst, Neptune’s Pride is designed to be played over a period of weeks, as everyone battles for control over every star available.

Its exceptionally slow pace encourages careful planning, strategising away from the computer screen, and striking up deals with opposing players outside of the game itself. There are so many options to consider.

That’s why Neptune’s Pride was our webgame of the year for 2010. For a sense of quite how involved this game is, try reading the diary of our one-month battle with Rock, Paper, Shotgun.

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CRYSIS 3 REVIEW : WELCOME TO THE JUNGLE

The path of the super soldier has been well-worn by gamers, especially given that the vast majority of video games are specifically designed to make you feel like a gun-toting god. It’s not like there’s an abundance of first-person accounting games, or massively multiplayer online shelf-stocking simulators (MMOSSSs). Game makers know that there’s an overwhelming majority of gamers out there who play video games for one reason and one reason alone: to forget about their lousy day at the office and step out in the oversized shoes of an almighty bad-arse for the evening.

Consequently, it’s rare that we’re actually able to empathise with the protagonists in the first-person shooter genre. It’s somewhat impossible to relate to someone who murders so many so often, and shrugs off repeated gunshot wounds as though they were no more irritating than day-old sunburn. The previous games in the Crysis series have been particularly guilty of this – they’ve each strapped you up in an exceedingly well-armoured and cloak-equipped Nanosuit and sent you out to leave no guard un-murdered in your pursuit of… something something the fate of the universe. They’ve certainly been fun, but rarely has there felt like any real purpose behind all of that ultra violent enemy punishment.

So the biggest surprise that hits when you first sit down to playCrysis 3 is the noticeable leap in quality displayed by its story and characters. It’s clear that this is an area that Crytek has largely directed its focus, and perhaps why the core gameplay experience hasn’t really changed too dramatically from Crysis 2.Crysis 3 roots its narrative in a fight against the oppressive CELL Corporation and the pursuit of the alien Alpha Ceph, but the story is propelled along by the relationship between protagonist Prophet and his sidekick Michael ‘Psycho’ Sykes. One is desperate to cling to his last traces of humanity, the other, newly stripped of his Nanosuit and tortured by CELL, is struggling to come to terms with his own mortality.

Thanks to uniformly excellent dialogue, voice acting and facial animation, Crysis 3′s characters are able to emote at a level well beyond the reach of the loud-mouthed marines

Crysis 3

FEBRUARY 19, 2013

The hunted becomes the hunter in the CryEngine-powered open-world shooter Crysis 3! Fight in the New York ‘Liberty Dome’, wielding advanced alien weaponry in the ultimate sandbox shooter!

typically found in the genre. It’s not quite Half-Life 2, but it’s still a substantial jump in storytelling for the series. For a game about a hero that’s become more machine than man, Crysis 3 has a surprising amount of heart. 

That’s not to say that the Crysis series is suddenly a sensitive new aged feelgoodery. You won’t be cloaking yourself and sneaking up on someone in order to give them a surprise snuggle and a kiss on the cheek. Like its predecessors, the gameplay of Crysis 3 is almost exclusively about killing, be it via an all-out assault or more surreptitious forms of slaughter. The new game is every bit as fluid and flexible (and fun) as fans have come to expect from Crytek’s more sandbox style of shooting, and there are a handful of new additions to your arsenal that make each enemy encounter all the more entertaining.

You can now use the Nanosuit’s upgraded visor capabilities to hack electronic devices found in the environment, which is executed via a short timing-based mini-game. Opening locked doors is a fairly mundane means to an end, but the fun really starts when you hack automated turrets to turn on their owners, or electronic minefields which you can subsequently lure your enemies into. Hacking is certainly a handy addition that lends itself well to Crysis’s freeform approach to firefights.

The more significant enhancement to Crysis 3’s combat is the Predator bow. It’s a one-shot kill weapon that can be used silently and with the cloak engaged, and although the capacity of your quiver is limited, regular arrows can be retrieved from corpses and re-purposed. The bow also has a handful of secondary fire modes, including electrified darts and thermite-tipped rounds. In fact, so powerful and enjoyable to use is the bow that it very nearly negates the need for the rest of the game’s high-powered arsenal, save for when you come up against some of the more well-armoured foes in the campaign’s latter half.

But new combat features aside, the biggest reason that Crysis 3 is such a consistent joy to play is because its control system is near flawless. The fact that you can quickly augment your weapons with different sights and grips without retreating into menu screens, or the ability to quickly pull out a grenade by double-tapping the weapon-switching button; it all works wonderfully and means there’s never any kind of artificial interface standing in the way of your natural instincts. Even on the PC version of the game playing with a controller almost topples the traditional mouse and keyboard: what you lose in mouse fidelity you gain in ergonomics. The exception to the rule on all platforms, however, are the handful of vehicular sections, which feature disappointingly clunky control by comparison.

While Prophet’s quest to topple the CELL Corporation and eradicate the alien Ceph feels slightly shorter than Crysis 2′s campaign, its pacing is better and its levels offer up far more freedom and replayability. The seven campaign levels on offer mostly present a happy medium between the open sandboxes of the original Crysis and the more linear paths of Crysis 2, and some of the later areas in the game feel imposingly enormous, with multiple paths to take in approach of each skirmish and various secondary objectives to tackle at your leisure. As a result of the additional breathing room, Crysis 3 features a checkpoint system considerably more generous than that of the previous game, so it’s only on the harder difficulty settings that you’ll find yourself having to repeat large sections of the game.

Grass: boring in real life, UTTERLY BREATHTAKING in video games.

Even if you do have to repeat sections, at least you’ll be enjoying the view. Crysis 3 is set in a dilapidated New York City, reclaimed by nature, and it’s been brought to life with quite a staggering amount of detail. When the gates open and you first set foot inside the Liberty Dome setting you’ll likely pause a moment just to take it all in. Gorgeous lighting, vegetation rendered down to individual blades of grass and levels with towering verticality; it’s a clash of jungle and shattered urban architecture that results in a game world genuinely like no other. Crysis 3 was always likely to be an impressive technical achievement, but the artistic quality of its design shouldn’t be overlooked.

As has become par for the franchise, Crysis 3 is an experience best enjoyed in the single-player campaign, but that’s not to say that the multiplayer component is in anyway poor. Once again outsourced to Crytek UK (the studio formerly known as Free Radical Design), the online side of things does a commendable job of appropriating the Call of Duty class/load-out/perk systems, but works best in the modes that leverage the Nanosuit powers. This is particularly exemplified by the new Hunter mode, which pits two cloaked hunters against a team of CELL troopers. Each trooper killed switches sides and becomes a hunter, until there’s one trooper left to nervously twitch and shoot at shadows. It’s genuinely intense stuff, and well worth investigating once you’ve polished off the campaign.

In preparation for this review we tested the game on a high end PC, a PS3 and a 360. Naturally the PC version (our test machine was packing two AMD Radeon HD 7970 graphics cards) was the visually superior of the three, thanks to its higher definition, better lighting and textures and all manner of other fog effects and shading employed on the highest graphics settings. Having said that, the console versions are still able to hold their own. We expected the six and seven year old circuitry in our PS3 and Xbox 360 to boil into a puddle of silicon soup as soon as we slipped the disc in the tray, but as it turns out Crysis 3 runs well and looks fantastic no matter which platform you pick it up for.

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The love child of Brooklyn and the Internet, Baauer was born out of noise. A sound that began steeped in the 4/4 dance tradition, slowly took on hip hop tendencies until the two became one. Influenced heavily by southern
hip-hop and UK bass sounds, Baauer has found himself smack dab in the middle of the electronic renaissance. He is the delectable fusion of future-crunk and leather shaken aggressively in a bottle for years and has only just opened the top to pour the mixture out.

Harlem Shake his been featured on almost every Diplo and Friends mix to date including Diplo, Brodinski, and Flosstradamus as well as being featured in Rustie’s Lastest Essential mix!

Baauer – Harlem Shake

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Macklemore Feat Wanz – Thrift Shop (Explicit Edit)

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